Biography

Praised for her “lovely mezzo voice” (Berkshire Fine Arts) and “dramatically incisive” stage presence (Parterre Box), Ilanna Starr is currently an artist-in-residence with the Atelier lyrique of Opéra de Montréal. After her summer with Opera North as the Baker’s Wife in Into the Woods, Ilanna returns to the Sacramento Philharmonic & Opera for her role debut as Cherubino in Le nozze di Figaro and then to Opéra de Montréal’s mainstage for L'Enfant et les Sortilèges. Her 23/24 season included her “stand out” (l’Opéra) performance as Nerone in L’incoronazione di Poppea with the Orchestre de l’Agora, as well as Mercédès in Carmen with l’Orchestre symphonique de Trois-Rivières, Orlofsky in Die Fledermaus with the Sacramento Philharmonic & Opera, and her mainstage debut with l’Opéra de Montréal as Flora Bervoix in La traviata.

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Ilanna recently became a two-time award winner at the Metropolitan Opera Laffont Competition after being named a 2024 District Winner, having received an encouragement award in 2022. She also won second place in the young artist division of the 2024 Orpheus Vocal Competition, became a semi-finalist in the 2024 International Hans Gabor Belvedere Competition, and won third prize in opera at the 2024 Nuits Lyriques International Competition. ​

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In 2023, Ilanna was named a Wirth Vocal Prize finalist as well as the winner of the top prize of Talent Lyrique Québécois through Théâtre Lyrichorégra. As a two time laureate of the Jeunes Ambassadeurs Lyriques, Ilanna has been awarded funding from Théâtre Lyrichorégra, LOJIQ, and the Francis Poulenc Foundation.

 

Previous operatic role highlights include Hänsel (Hänsel und Gretel), Dorabella (Così fan tutte), Tisbe (La Cenerentola), La Messagiera (L’Orfeo), Melissa (La liberazione di Ruggiero), and Amastre (Serse). Ilanna has also amassed experience interpreting characters in newer operatic works covering the role of the Captain in the Chicago premiere of David T. Little’s Dog Days as well as Brittomara in the Midwest premiere of Jake Heggie’s If I Were You. Most recently she originated the role of Venus in the world premiere of Dean Burry’s Il giudizio di Pigmalione.

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In concert, Ilanna has sung the mezzo solo in John Corigliano’s Fern Hill in addition to being a featured street player soloist in Bernstein’s MASS. Collaborating frequently with Northwestern’s Contemporary Music Ensemble, conducted by Alan Pierson of Alarm Will Sound, she was the solo vocalist in Andrew Hamilton’s 20-minute work, music for people who like art, as well as a soloist in Marcos Balter’s meltDown Upshot at Chicago’s 2021 EarTaxi Festival.​ She was a finalist in Northwestern's 2022 Concerto Competition for her performance of Ravel's Shéhérazade.

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Passionate about exploring diverse human experiences through art music, Ilanna has curated and performed collaborative recitals centered around the voices of women, domestic violence, relationship communication styles, and the resilience of Jewish culture during the Holocaust and throughout the 20th century.

 

She has trained at SongFest and Chautauqua and holds degrees from Vanderbilt University, Northwestern University, and McGill University.

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Equally at home in pop and jazz styles, Ilanna was one of the 325 individuals out of 125k auditionees who received a golden ticket to Hollywood on Season 10 of American Idol. She was only 15. 

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A lover of dogs and baroque rage arias, Ilanna digs singing from her heart and laughing from her belly (and vice versa).